The Andrew Loog Oldham Orchestra - "East Meets West" CD remastered album

The Andrew Oldham Orchestra - East Meets West

CD, Album, Reissue, Remastered, Japan, 2013 (originally released in 1965)

Decca

This is a super interesting album due that Andrew Loog Oldham has a fascination with American pop, and here he puts his focus on his love for both The Four Seasons and The Beach Boys.  For me, this is what made the Rolling Stones so noteworthy during the Oldham/Brian Jones years -the mix of R n’ B with the love of contemporary pop.   Keith Richards spoke of the love of the blues, but with the Stones, in this time period, it was the crazy mixture of their original passion and the hit parade of that time.

Oldham was probably one of the first pop people to worship the brain of Brian Wilson, and the whole orchestra idea of his comes from a mixture of Wilson and the classic Phil Spector era, which were happening at the time of these recordings.   Now we get homages to artists or a sound many years after the original recording, but Oldham and company paid their respects almost instantly when these hits were on the pop charts.

The Four Seasons was masterminded by member Bob Gaudio and the Season’s record producer Bob Crewe.  Both of these men crafted, wrote and produced the New Jersey aesthetic as it happened.   Oldham’s appreciation sort of goes behind the Wizard’s curtain to look at how they work.  The Andrew Loog Oldham Orchestra is a great deal a tribute to the men behind the sound booth with the engineer.

The music here touches on the greatness of the Beach Boys and The Four Seasons, but the purpose could be meant for various reasons.  Since both artists were popular at the time, it could be seen as a cash-in to what was happening in the charts at the time, but I think a lot of it has to do with Oldham’s love for the medium of pop stardom, pop record making, and the vision of the guy in the studio who conducts and makes the music.   It is also about image, so there is a visual aspect to this narrative as well.

This Japanese issued CD has both mono and stereo mixes, and there are differences between them with respect to sound and even mood.  Again, the best $28 I have spent on a recording.

The Andrew Oldham Orchestra - Plays Lionel Bart’s Maggie May

The Andrew Oldham Orchestra - Plays Lionel Bart’s Maggie May

CD, Album, Reissue, Remastered, Japan, 2013

Decca

I didn’t even know that Plays Lionel Bart’s Maggie May existed, when some years back I walked into a small Shinjuku record shop, and there it was!  It was close to $50, and way too much for me to buy at the time.  Of course, I thought of that record whenever I closed my eyes at beddy-time.  So there was at least five years of regrets about passing up on this album, and very few people knew of it.  The most famous Andrew Loog Oldham Orchestra album was their first one, which was Rolling Stones’ covers.  The Lionel Bart album was a weird one for me, because it was devoted to one songwriter, Lionel Bart, and one of his shows, who for most Americans, would be king obscure.   Which makes this album fascinating on a lot of levels.  Oldham was a friend and someone who looked up to Bart as both a music businessman as well as a music hustler of sorts.  He played the game, but I think the game won in the end.  Nevertheless he was a key figure in British rock before The Beatles broke big.  He wrote songs for Cliff Richard and most famously the musical “Oliver.”  

Here Oldham, John Paul Jones, and others, turns on their magic to the tunes from “Maggie May.” I don’t think there is an official OST of this musical or if it is, disappeared into vinyl heaven.  So this is what we take into existence, and thank god for the Japanese, they re-leased it with not only mono mixes, but stereo as well.  Plus 11 bonus cuts.  

The mono version of this album is the one to hear over and over again.  It’s classic Oldham vibe.  For instance, “It’s Yourself” has a killer lead bass sound, very Jet Harris.  But the stereo version, the bass is practically gone!  Nevertheless it’s a cool album, and this CD collection is incredible, mostly for the bonus cuts, which to be honest, are the highlights of this set.   

The rest of the album is recordings from around this time (1964) from the Andrew Oldham and Immediate Records world.  Totally essential songs like “Each and Every Day of the Year” (Jagger & Richards) and “All I Want Is My Baby” (Oldham & Richards) sung by Bobby Jameson and simply incredible recordings.   Not sure if the purpose was for the publishing end of the music business, but Jagger and Keith came up with wonderful tunes.  The other stand out by them is “(Walking Thru’ the) Sleepy City”, performed by The Mighty Avengers, but gawd, what a fantastic song.  The best $28 spent on a CD in my lifetime!

The Andrew Loog Oldham Orchestra & Chorus - 16 Hip Hits (cd reissue, Japan)

The Andrew Loog Oldham Orchestra & Chorus - 16 Hip Hits

CD, Album, Reissue, Remastered, Japan, 2013

Decca

To step into a fantastic record store like Pet Sounds in Tokyo and seeing the entire Andrew Loog Oldham catalog reissued as CD, was something that almost forced me to cry, but I held my tears back and purchased all of them.  They were $28 a piece and for sure worth every yen and cent.  The first one I played was “16 Hip Hits.”  To be honest I have a lot of these songs in a collection that was put together in the 90s, but for me, to hear it in its natural order - plus the additional 16 bonus cuts, well it was like being put in a time machine in 1966.  Except I was in Tokyo not London.

Paul John Jones did a lot of the arrangements for this album, and the selection is mostly from the obsessive taste of Oldham.  It was songs that were hits at the time, and Oldham at that time, didn’t look back or reflect on his past.  This was music made to be carried out at that point and time.  So one got a snapshot view of his world at the time, and the beauty of him is that he’s an artist, but I suspect that he was thinking about himself as more as a hustler than anything else.  Music was another part of the hustle, and this is what makes this album such a sweet listening experience. 

The arrangements appear to be slower, then the original recording hits, and there is a looseness of the arrangements that almost feel like it would fall apart any moment.  So that adds a certain amount of tension in the work.  For me, it gives a sense of charm, and with the additional good taste from Oldham makes these recordings essential for anyone who is interested in 60’s British pop.  Most of the songs, if not all, are American orientated.   They hanker back to almost an imaginary state of mind of the original recordings - but re-imagined by Oldham and perhaps Jones.  But I suspect that Jones was just following Oldham’s lead, and Andrew it is all about image, and that image, is really beautiful.