Bee
Gees –
Bee Gees' First
CD
Album, Repress 2004 Mono & Stereo, US
Polydor
I
remember buying this album, as it was the son of Sgt.
Pepper
in the summer of 1967. And now listening to it in 2013, it still
sounds 1967, which is not a bad thing at all. “Red Chair Fade
Away” always reminded me of early Traffic, and that was the sound
during that year. Baroque strings, strong melodies, and soulful
vocals. Which is the Bee Gees in the nutshell. The beauty of their
work is that it sounded effortless in their hands. I never felt they
had a strong identity, even in their early years. One would or could
admire them, but there is a lack of passion, and maybe because
they're so skilled in what they do. Which can't be easy.
The
Beatles, at least on this album, is the foundation for their first
album. Some of the songs remind me of Revolver
period,
but what is remarkable to me is their sophistication, especially
since this is their first album. This doesn't sound like a first
album from a band. And alas it isn't because the Gibb Brothers have
been making music their whole lives. But the beauty of their
aesthetic is that they are always in tuned to the culture that is out
there. Even in the 70's when they got on the disco/RnB thing, it
seemed natural, and not a forced move on their part. And that is
their genius.
Their
first album is a must for anyone who even admires the sound of
pysch-pop. And of course “New York Mining Disaster 1941,” “To
Love Somebody,” and “Holiday” is on it. Sort of essential you
know!
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