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Showing posts with label 1999. Show all posts
Showing posts with label 1999. Show all posts

Thursday, June 15, 2017

The Ventures - "Golden Pops" / "Pops in Japan" CD, Compilation, 1999 (See for Miles Records)


Not an easy CD to find, or the two original albums "Golden Pops" (1970) and "Pops in Japan" (1971). These two oddities or albums was a fascinating find for me when I lived in Japan, and I think I originally rent the original albums to listen to them around 1989.  Nevertheless, The Ventures were (and still are) an important band in Japan.  One of the first, if not THE first, bands to tour Japan with electric guitars.  Once can't undermine the importance of The Ventures for Japanese pop culture.  Due to the commercial marketplace or just something that they wanted to do, The Ventures made two albums focusing on Japanese Enka music.   Enka is an entirely unique pop music that is a big part of the Showa era in Japan.  Theme wise not that far from weepy country and western, but also is a version of the Japanese blues.  The ultimate bar music of loss, regret, and sadness. 

Weirdly enough, this is the only Ventures collection I have. I was never a fan of their music because it seemed water-down compared to the other great surf/instrumental bands of the early 1960s.  But "Golden Pops" and "Pops in Japan" are really unique albums, with some fantastic music within the disc.  I recommend this CD package for those who have a yen for Japanese pop culture or have an interest in the Showa era.  On one level it's totally marketing for The Ventures in a country that still brings them currency, due to their yearly tours of that country, but also eccentric listening experience as well.  American musicians interpreting Japanese pop music.  The hybrid is fantastic. 



Saturday, May 6, 2017

David Bowie - "Thursday's Child" CD, Single, 1999 (Virgin)


This CD single or EP, since it has four songs on it, is Bowie at his most profound and moving.  "Thursday's Child" is a song of aging, and looking back, but at the present as well.  It's one of the handful of Bowie songs that moves me to tears if I'm under the proper cocktail of red wine and depression.   There are two versions of the song on this CD, and it's worth the purchase even if you have the full album.   The 'rock' version of "Thursday's Child" has a stronger guitar presence, but still the ballad that sways than makes one shake your head up and down.  

"We Shall Go To Town" is the end of the evening, and there is nothing more.   A couple hitting the town not for fun, but as in destiny brings you to a certain point or crossroad.  A beautiful mournful melody with vocals that express both honesty (with respect to the situation) and dread.  "1917" is technically an instrumental, although I hear a faint vocal buried in the mix and electronics.  It wouldn't be out of place on an album like "Low."    The underrated Reeves Gabrels co-wrote, co-produced the album "Hours"  and this EP.