Michel Legrand/Jacques Demy - "Le Cinéma en Chanté" CD, Compilation, 2009, France (Universal)

There was once a better place in the world, and Jacques Demy films represented that world.   To go to a movie theater and to be transported into a landscape that makes happiness.  The sadness is when one leaves the theater and realize that the world hasn't changed outside the theater.  To prolong the mood, it's best to have this compilation of music by Michel Legrand, composer for Demy's classic films.  

At heart, Legrand is a jazz guy, and his music has a swing to it, but it also expresses a happy-go-lucky attitude even when love turns sour.  The sadness in his music is just another layer of clothing that embraces the characters in the Demy narratives.  This CD is a great compilation, and therefore a magnificent introduction to the aural world of Demy and Legrand.  It is not complete, but it does feature the central music for all of the Demy/Legrand film projects.  For my listening taste, I love "Lola" and the Jean Cocteau like (a tribute?) "Peau D' Ane."   It reflects the romance of the films or the haunting qualities of the characters.   Overall there is no such thing as a bad Legrand piece of music.  

Frank Sinatra - "In The Wee Small Hours" Vinyl, Album, LP, 1955/2009 (Capital)

This, I believe, is the first full-length Frank Sinatra album that I purchased in 1986. As a man who was in his 30's, it seems liked the right moment or time to get into the blue funk of Sinatra at the time. Sinatra, I believe, or at the very least, one of the first artists to use the album format as a theme piece or dare I say it, the concept album. Being a sad boy/man, I was immediately drawn to Sinatra's skills as a ballad singer. In other words, these recordings, especially this album "In The Wee Small Hours" is my version of the goth album. 

I re-lived my entire romantic life at that point and time with this album. The disappointments of love have never been expressed in such highly poetic and brutal terms before my ears. The album cover fully reveals what's inside the packaging, which is 16 songs of begging and acknowledging being on the losing side of a sexual/romantic relationship. "Can't We Be Friends" is the ultimate song of a partner just grasping any straws of hope that somehow you can still be part of someone's life. We can gather that this is not going to be the case. Failure lurks on this album like a cheap after-shave lotion. 

Sinatra had the knack of getting right into the emotion or the physical pleasure of being in love or with a loved one. Through his vocals, he was a sonic poet, and here he had his brilliant arranger Nelson Riddle adding spices and elements of Wagner like heights to Sinatra's series of pleadings and reporting of love gone wrong or gone. There are no bad cuts on this album. Sinatra took the great American Songbook and cherry-picked the brilliant songs that make this album. The one song I play over and over again is the great Duke Ellington song "Mood Indigo." Perfection was never so painful to hear. Yet, it pleases the troubled soul.

Tracklist Hide Credits

A1	In The Wee Small Hours Of The Morning Composed By – David Mann (3)Written-By – Bob Hilliard	3:00
A2	Mood Indigo Composed By – Barney Bigard, Duke EllingtonWritten-By – Irving Mills	3:30
A3	Glad To Be Unhappy Written-By – Rodgers & Hart	2:35
A4	I Get Along Without You Very Well Composed By – Hoagy CarmichaelWritten-By – Jane Brown Thompson	3:42
A5	Deep In A Dream Composed By – Jimmy Van HeusenWritten-By – Eddie DeLange	2:49
A6	I See Your Face Before Me Composed By – Arthur SchwartzWritten-By – Howard Dietz	3:24
A7	Can't We Be Friends? Composed By – Kay SwiftWritten-By – Paul James (4)	2:48
A8	When Your Lover Has Gone Songwriter – E. A. Swan*	3:10
B1	What Is This Thing Called Love? Songwriter – Cole Porter	2:35
B2	Last Night When We Were Young Composed By – Harold ArlenWritten-By – E.Y. Harburg	3:17
B3	I'll Be Around Songwriter – Alec Wilder	2:59
B4	Ill Wind Composed By – Harold ArlenWritten-By – Ted Koehler	3:46
B5	It Never Entered My Mind Written-By – Rodgers & Hart	2:42
B6	Dancing On The Ceiling Written-By – Rodgers & Hart	2:57
B7	I'll Never Be The Same Songwriter – Frank Signorelli, Gus Kahn, Matty Malneck	3:05
B8	This Love Of Mine Songwriter – Frank Sinatra, Henry Sanicola, Sol Parker	3:35

Iggy Pop - "The Idiot" Vinyl, LP, Album, Reissue, 2009/1977 (4 Men with Beards)

At the time of its release, in 1977, this album was a mystery to me.  The cover was minimal and no musician credits, except the name "David Bowie" had appeared on its back cover.  Beyond that, I really didn't have a clue what the music would be like.  I knew of the Stooges, but I couldn't really imagine Bowie in the mix for some odd reason.  And I knew he mixed the great "Raw Power" album, but still, what would new Bowie/Iggy music be like?

Once I heard the album I came to the conclusion that this is very much an original piece of work.  Not sure if it was more Bowie than Iggy or the other way around, but the combination of the two made something new to my ears.  I got the feeling that the music was made in a small room without windows.  Very thick and dense sounding.  The lyrics, on the other hand, were total Iggy to me.  Pop has that great quality of skill to make every lyric sound like a throw-away piece of work.  Which is part of his genius and charm.   First thought is the best thought.  Or does Iggy spend a great deal of time working on the lyrics?  I don't know.  What I do know is that he's naturally brilliant.  "Nightclubbing" and "Funtime" are brilliant pieces of work.  "China Girl" is funny but also disturbing under the Iggy version, and the way he drops Marlon Brando's name in the mix was shocking to me at that time. 

My favorite song on the album is "Tiny Girl."  I love the long introduction with what I presume is Bowie's sax playing, and then Iggy drops in with this incredible lyric and resigned style of singing.  I find it brutally romantic.   Listening to it now I still think back when I first heard the album.  It still sounds fresh and demented at the same time.  "Lust for Life" is a great Iggy/Bowie album as well, but "The Idiot" is something special.  Once in a lifetime recording. It can't be done again.  As they say, it is capturing lightning in a jar.  How many times can one do that?

With respect to this reissue, it seems the sound came from Virgin Records mastering of the CD.  To me it sounds fine, but of course one would want a reissue to come from the original analog tapes.  Why that didn't happen could be economic reasons or maybe the tape doesn't exist?  Nevertheless, this album works on very medium.