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Showing posts with label 25-Year Retrospective Concert of the Music of John Cage. Show all posts
Showing posts with label 25-Year Retrospective Concert of the Music of John Cage. Show all posts

Tuesday, December 12, 2017

Tosh Berman's 2017 Favorite New (for me) Albums


For the world, a total nightmare of a year.  For me, standing near my turntable and stereo speakers, an excellent year.  Here, and in no special order, are albums that I  have heard for the first time in 2017.  Some of the releases are very old, and some came out this year - but all, were first listening experiences for the year 2017.  The Ork Records and Webern box sets, I may have heard some of the music some years ago, but these are new packages for me.  Even though I believer the Webern box set came out in the 1960s.   The majority of the albums (all vinyl) I purchased are used, but some I did buy if they were reissued, or I was lucky finding it online or more likely in a record store, either here in Los Angeles or in Tokyo.   Nevertheless, for me, this was totally new music for the year 2017.  So, again, in no special order, here are the albums.  And keep in mind, that I did write reviews of some of the titles, but there are albums here that I haven't had a chance to write on, or about the recordings.  So here it is:




























Wednesday, May 17, 2017

John Cage - "The 25-Year Retrospective Concert of the Music of John Cage" 2 x Vinyl, Booklet, Limited Edition, 1959 (Modern Silence)


Ground zero for John Cage recording.  This phenomenal album is the essential document of a great concert that took place at Town Hall New York City in 1958.    Produced by Cage's good friends Jasper Johns, Robert Rauschenberg, and filmmaker Emile de Antonio.   This is, at the time, was Cage's celebration of 25 years of composing and making music.   With the help of the art community, a concert was placed, and at this event, Cage and others performed his "greatest hits."  This is not only a document of a concert but also an important cultural moment that took place in Manhattan. 

David Tudor, Merce Cunningham, and Cage's wife, Xenia, as well as the composer, performed pieces in front of a hostile audience.  At least their catcalls mixed in with the bravos are clearly in the mix.  This is a real live recording!   Listening to the album, I really feel its presence in front of me.  There are not that many live albums that have that affect for me.   The works here are legendary, and Cage at the height of his creativity.   Beautiful packaging; this album is priceless to me.