Total Pageviews

Showing posts with label Al Jardine. Show all posts
Showing posts with label Al Jardine. Show all posts

Thursday, August 22, 2013

The Beach Boys - "U.S. Singles Collection: The Capital Years 1962-1965"



The Beach Boys - U.S. Singles Collection: The Capital Years 1962-1965
16 x CD, Compilation, Limited Edition, 2008
Capital Records

The packaging by Tom Recchion is the real star of this Beach Boys collection of early singles.  You almost get the feeling you're buying a collection of E.P.'s but alas, you're not!   They're CD's and it is also in mono and stereo mix.  To be honest this is a great selection of Brian & Company's music.  In many ways the music fits better as a single.  "Little Honda" is a beauty of a song, from the first word 'Go!'  

But by far the most interesting and my favorite of this package is the Christmas songs.  "The Man With All The Toys" (almost sounds like a David Bowie title) is a superb song.  It's Christmas but with a sense of dread.  I can't imagine what Christmas was like at the Wilson household.   I don't need to go there, but I will go to this song on a regular basis and on any day besides Christmas.

Wednesday, August 21, 2013

The Beach Boys - "The Beach Boys Today!" Vinyl album Mono




The Beach Boys – The Beach Boys Today!
Vinyl Album, Mono, 1965
Capital Records

The Beach Boys Today everyday! At this time they're walking towards their more complex future arrangements, but saying that, one can hear a Ramones type of minimum sound on “Good To My Baby” that has a riff that is so incredible. In fact at this time and earlier the Boys had a remarkable minimal thing going with the guitars, piano, drums, and god knows what else. It is sort of like a wave that comes to the shore and then leaves. If there is rhythm in life, then the same for The Beach Boys. The introduction to “She Knows Me Too Well” goes in and out like a wave.

If you leave out “Bull Session With 'Big Daddy'” you would have a classic Beach Boys album. Why is it on this album? Nevertheless Beach Boys Now is a bridge between the old world to another.... perhaps world?





Tuesday, August 20, 2013

The Beach Boys - Summer Days (And Summer Nights!!) Vinyl LP




The Beach Boys – Summer Days (And Summer Nights!!)
Vinyl LP, Reissue, 2010
Capital Records

Summer Days (And Summer Nights!!)reminds me of The Beatles Rubber Soul album or maybe Beatles For Sale, not in the sense of sound but in maturity due to the themes on the album. Also for an odd reason it reminds me of New York City more than Southern California. Beyond their cover of Phil Spector's “Then I Kissed Her” it has that master's touch over these recordings. It is almost if The Beach Boys re-invented themselves as the male Ronettes. This and The Beach Boys Today are my favorite early albums by the mighty five. The songs are between child-like and adult. So maybe this is their most teenage album of them all!

We know the famous cuts here “California Girls” and “Help Me Rhonda,” but my favorite songs are “Girl Don't Tell Me,” “Let Him Run Wild,” and “You're So Good To Me.” Those three songs are masterpieces. For one, the singing on these cuts are incredible and so emotional. Great performances from the studio band, and it is just a beautiful production. But there are no bad cuts on Summer Days, it is basically a perfect album doing what it does best, which is capturing the inner-world of The Beach Boys.

But saying that there is one song here that is extremely disturbing, now that we know the facts between the Wilson boys and their father. That of course is “I'm Bugged At My Ol' Man.” Humorous till you realize that they must be singing about their grand ol' dad. The Beach Boys biography is a very sad one. When you come to think of it, it's amazing that Brian Wilson is still with us, and still working!

Monday, August 19, 2013

The Beach Boys - "Smile Sessions" 2 x vinyl LP





The Beach Boys – Smile Sessions
2 x vinyl LP 180 Gram, 2011
Capital Records

For an album that caused so much anxiety, madness, and a world being torn apart, is ironically so happy sounding. I would even call it happy-go-lucky. But the truth is it is anything but happy – at least life outside this vinyl or music. But when I put the needle on the record I am transformed into a weird landscape that is for sure America, but America that is transformed into a combination of Walt Disney, psychedelia, and the brash corny humor of “Hee Haw.”

This vinyl set as well as the Smile box set is the official release of this remarkable album. First of all it is hard to grasp all of this after so many years of hearing the bootlegs of these recordings. I have heard so many different versions of this work, that it is sort of like Kenneth Anger, who have consistently tinkered with his films over the years. But what's amazing is that the different mixes, the out-takes, and even the banter while recording the album is equally fascinating. The only people I know who likes Smile are people who have all the bootlegs or just huge fans of Brian Wilson and the boys.

Nevertheless the new (and final?) version is sort of a musical theater placed in one's head. Way more abstract than Pet Sounds which is basically straight forward pop songs, Smile deals with the enjoyment and love of everyday objects and things. “Wind Chimes,” “Vega-Tables,” and even “Good Vibrations” deal with pleasure either through objects, food or spirituality. The lyricist Van Dyke Parks really gets into Brian's head. I know on paper and probably work wise, Parks was a big part of the foundation for these series of songs. But still, I feel it expresses the inner-world of Wilson, a man-child tasting the vegetable for the first time and listening to the wind chimes – and putting on a focus on that act of appreciation. Its really unique in that sense.

Also there is this tension between being healthy and sort of losing it. Almost a hyper attention to getting it together, but of course the sanity of it all is in question. Smile to me is not a downer, but it does expose the dark tinge of disappointment or UN-fulfillment of dreams. But every dark cloud still has that hope attached to it, and Smile is very much a positive outlook on life and how one leads that life.

Smile is very much a set-piece and it has its own narrative, so it's important to hear it from beginning to end. The ambition and scope of this album is pretty grand, and I miss the days when artists went all out to achieve that type of work.    






Wednesday, August 14, 2013

The Beach Boys - "All Summer Long" Vinyl Mono LP





The Beach Boys – All Summer Long
Vinyl LP, Mono, 1964
Capital Records

All Summer Long lasts 12 months in the world of The Beach Boys. But the seasons to The Beach Boys are different from other folks. The cold despair of Winter is actually their summer. The wishfulness of Brian Wilson songs seduces one into a calm, but in actuality the music is like the ocean in a hurricane. It sucks you up, and then throws you on the pavement.



In 1964 the first thought when one hears the three words of The Beach Boys is 'surf.' All Summer Long is without a doubt not a surf album. Although there is one song “Don't Back Down” is perhaps their last stance on the sand and surf board. “Little Honda” is the only car song on the album, and now listening to it, the sexuality of the song brings up Kenneth Anger's fetish of the machine as a sex toy. Mike Love may or may not have other meaning for that song, but the urgency of the song is fantastic. Have the word “Go” brought such sensuality?

Without a doubt “Pet Sounds” and “Smile” are masterpieces, but for me The Beach Boys made incredible recordings between the early surf era and their progressive stance in later albums. Here, they are in a twilight age, where they see the 7” single as a brilliant medium. Some of the songs are total toss-offs (“Do You Remember?”) and “Our Favorite Recording Sessions” is....what is it?



On the other hand “Girls on the Beach” to me is pure sensual beauty. Sexuality never have been expressed so effortlessly, so easy, and enticing. But their happiness is fading quickly.