Kraftwerk - "Trans-Europe Express" Vinyl, LP, Album, Reissue, 1980/1977 (Capital)

If someone approached me and said: "Kraftwerk is the most important band in the world," I would not dispute that.  In fact, I may agree with that mysterious someone.   I discovered Kraftwerk when "Autobahn" came out, but it was "Trans-Europe Express" that changed everything.   For one, they were the first band to me that didn't come from America or England.  They were hardcore German.  They looked German, sounded German, and the traces I picked up were European classical music, with a touch of Musique Concrete.  No blues, or Beach Boys which I think was an influence on their previous album.

I remember showing this album cover to my German (Hamburg born) grandmother, and she said: "ah, they look like young men from my youth."    "Trans-Europe Express" was my first gateway to a European aesthetic.  I admired European films, but this was (sort of) my contemporary entrance to the European aesthetic.  When I went to Europe for a huge traveling trip, it was Kraftwerk's music on this album that served as a soundtrack to my adventures in Italy, Germany, France and the UK.  At times when I was in Munich, I wasn't sure if what I was seeing was truly my experience, or I was re-living the imagery from "Trans-Europe Express."

There are many brilliant artists in the pop music world, but Kraftwerk seemed to me another or unique version of genius at play.   The icy perfection of their image/music (the same thing for me) as well as the beautiful melodies, made a huge dent in how I saw the world.   I love other Kraftwerk albums, especially "Radio-Activity," but "Trans-Europe Express" is my sonic version of someone else's "On The Road," or another romantic literary title.   Once bitten, you've changed.  Kraftwerk was the bite that keeps on giving.

Billy MacKenzie - "Outernational" CD, Album, 1992

Billy MacKenzie – Outernational

CD, Album, UK & Europe, 1992

Circa

I remember reading about this album when it was released in Europe but I had a hell of a time trying to locate a copy. Eventually I found a single copy at Tower Records Piccadilly London branch around 1994. And it was expensive! Nevertheless worth every pence.

The only Billy MacKenzie album released under his name when he was alive. Not sure why this is not under the Associates banner, but nevertheless all albums without Alan Rankine, is in its nature, a solo album. The first cut “Outernational” is a classic in the same landscape as Kraftwerk's “Trans-Europe Express.” Electro-pop at its best. An excellent opening to a world of electro-disco, and in many ways a total underrated masterpiece.

Often Outernational sounds like it wasn't made by humans, because it is very much a producer's album, being that Yello's Boris Blank and the totally European sounding Thomas Fehlmann and Moritz Von Oswald. MacKenzie's voice blends into the mix like adding cream to coffee. It is effortless that it seems to be an ideal of what pop should sound like. Dance floor friendly to the max, if this album was a color it would be pastel colors with flowing fabric on a window backed by a wind machine.

The Boris Blank cuts are more flavored in the sense it is very textural and Billy's voice and music is in the hands of a wonderful chemist. The stunning great song here (besides the title cut) is “In Windows All.” That alone is worth the expense of getting this album. A Billy slow burner.