Serge Gainsbourg ' "Le Cinéma de Serge Gainsbourg" Vinyl, Compilation, LP, 2015 (Decca)

This is volume one of a two-volume set of the vinyl release of Serge Gainsbourg's soundtrack work for French films.    It's an excellent compilation for those who want to put their toe in before putting their entire body into the bath water that is Serge Gainsbourg and his music making for films.  For me, it's impossible to have the name Serge Gainsbourg on a disc or CD label that it's essential for one to buy and enjoy.  But in real life, there is, of course, better compilations or albums out there than "Le Cinéma de Serge Gainsbourg."  For instance the CD box set "Le Cinéma de Serge Gainsbourg 

Musiques De Films 1959-1990."

For those who are not fussy with formats of vinyl or CD, the box set is the completist choice where one has all the Gainsbourg film music in one container (three CDs in the box set).  For the nerd, such as yours truly, I need the vinyl edition as well.  Don't ask why.  It's a collector's illness if anything else.  But to focus on this particular vinyl compilation, it's a gem.   Throughout his career, Gainsbourg worked with three great arrangers: Alain Goraguer, Michel Colombier, and Jean-Claude Vannier.  All three are represented in the vinyl edition of "Le Cinéma..."  

This is not a greatest hits collection of songs, but a thoughtful approach to his soundtrack work - which at times he co-wrote with his arrangers.   The one thing that never changes is the lyrics - which belongs entirely to Gainsbourg.   It's a solid and delightful collection of music.  If you are like me, this is a springboard or entrance to the Gainsbourg world.  Enter, and for sure you will be spending more money and time locating the actual soundtrack albums or EP's. 

Serge Gainsbourg & Jean-Claude Vannier - "Les Chemins de Katmandou" Vinyl, LP, Album, OST, 1969/2017 (Finders Keepers)

It has been described as the lost soundtrack, due to the belief that the master tapes were burned in a fire, but alas, not the case. Just misplaced.   Finders Keepers, the great reissue label, have just put out this great gem of the Serge Gainsbourg world.  I suspect that the album is more Jean-Claude Vannier than Gainsbourg, but nevertheless, it has the traces of Serge's greatness and sleaziness as well since this is a soundtrack to a grade-Z film about French youth in Katmandou, and all the fun that goes with that journey.  

The album is very much in the same mode as the Gainsbourg/Vannier soundtracks of this period.  Funky workouts with traces of exotic percussion and of course, the sitar here and there.  The listener can hear the sounds that made up "Melody Nelson" as well as Vannier's great solo work "L'Enfant Assassin Des Mouches." The beauty of the album is very much under the arrangement skills of Vannier, who is superb.  One is never sure what is going to be around the corner with respect to his arrangements.   He and Gainsbourg were a fantastic team, and this lost (but now found) soundtrack is essential to both fans of Serge's soundtrack work as well as with those who love Vannier's experimentation and sense of aural adventure.   Vannier to me is the French Jack Nitzsche.  Both were in tuned to their subject matter, whatever it was a film soundtrack, or arranging the instrumentation behind a singer - it's a classic mode of music-making, and one that I personally miss in contemporary music in 2017.   

Various - "Mister Melody - Les Interprètes de Serge Gainsbourg" 4 x CD, Box Set, Compilation, 2006 (Mercury)

The problem or the genuine delight, there is not one Serge Gainsbourg album to purchase.  I shudder when someone asks me advice with respect to choosing their first Serge album.  My honest reaction is to buy them all!   Although when push comes to a shove or a kick, I would easily recommend the box set called "Mister Melody."   What makes it unique is that it's 4 cd's that covers every major (and nonmajor) period in Gainsbourg's music career.  Besides making his own albums, his bread and butter job was writing songs for other artists.  This CD Box Set focuses on Serge Gainsbourg as the composer (or co-songwriter).

I bought this album at the Charles de Gaulle Airport, just right before I enter my plane back to Los Angeles.  It's funny that I couldn't find anything to buy for myself in Paris, and it was at the airport that I found the greatest music package.  For a package that has almost 100 songs, it's rich with quality.  There are the songs that we all know and love with Brigitte Bardot, Jane Birkin, and France Gall, but it's the rare or unknown cuts, at least for this American, that are the delights of this CD set.  Marianne Faithfull's "Hier Ou Demain" is a standout track as well as recordings by Michèle Torr, Régine, Nico ("Strip Tease" - a wow), Catherine Sauvage and so forth. 

Gainsbourg was a genius.  He also worked with the best talents, such as arrangers Jean-Claude Vannier, Alain Goraguer, Michel Colombier - all of them superb and their talents were individualistic.  Not all female artists, there are some male artists here as well.  But Gainsbourg actually knew how to use the female's sensibility in getting his songs across to the public.  "Mr. Melody" is clearly a work of many decades, and the one thing that is consistent is Gainsbourg's excellence throughout the years.  Even the later years have their gems.  Fantastic.  

Various ‎– "Mister Melody - Les Interprètes De Serge Gainsbourg" 4 CD Box Set, 2006 (Mercury)

Amazing box set of Serge Gainsbourg's music, but performed by other artists besides the mighty and great Serge.   Hours of Serge music throughout his career.  A lot of the recordings on this collection he actually partakes in their production or arrangement.  So, his presence is very much felt throughout every song here.  The famous and iconic recordings with Birkin, Bardot and France Gall is here, but also artists like Les Frères Jacques, Michèle Arnaud, Juliette Gréco, Philippe Clay, and even Petula Clark.   There are no bad tracks here and very much essential listening and ownership. If I have to choose a favorite it is probably Nico's "Strip-Tease."  Very well thought out with song selection and excellent packaging.  

I have to presume the songs here are what brought money to the Gainsbourg pocket.  As a hired songwriter, he brought the tunes to these artists, but all of them have the Serge wit and bite.  He didn't compromise or cheapen his work when he wrote these songs for other artists.  I sense respect between singer and songwriter here.  Love this package of goodies. 

Christian Marclay - "More Encores" Vinyl, 10", 33 1/3 (No Man's Land)

It took me forever, but I found a copy of Christian Marclay's "More Encores" at HMV Shibuya near Tokyu Hands in Tokyo.   I had this album on my computer which I played consistently, but it really makes sense to get the vinyl edition, because that is the medium for this album.   Each selection is devoted to one recording artist or composer.  Marclay takes recordings of these artists and cuts them up, sometimes from the same song, or a mix with another recording by that artist.  

"Johann Strauss" the first piece is maxi-waltz, using a recording of his waltz as the foundation.  Which in turn is what the whole album is about.  Marclay comments on the recordings as well as make it as a tribute to that composer.  "Martin Denny" is just as dreamy and strange as any other 'normal' recording of Denny's music.  Marclay just focuses on the beautiful touches of his music.  "Frederic Chopin" is rhythmic which is not one would think of Chopin's music - the melodies come first.  This is the most radical of his recordings here.  He truly makes Chopin in his own aesthetic. 

I find his aural artworks fascinating.  Especially if one is a fan of the vinyl record.  It takes an object that is very objective as the subject matter and turns it into a subjective instrument of expression.  DJ aesthetic, but Marclay also treats the music as a source or light to add his textures into the mix/piece.  The beauty of these recordings is that they very serve as a tribute or homage to these artists as well. "Arthur Ferrante & Louis Teicher" maybe weird, but it's not weirder than any Ferrante & Teicher recording.  It's like he's having a jam session with these artists, but not live, with their recordings. 

His "John Cage" is very rhythm orientated.   The original work I think is maybe the live radio pieces he did with David Toop, but I'm not sure, due that I didn't do any research on this before writing on it.  Just listen.   There is so much cultural music history here.  "Maria Callas" is beautiful.  The textural layers of her voice fit perfectly under the turntable skills of Marclay.  Released in 1989, this is very much an essential album for me to go back to again and again. 

Serge Gainsbourg/Brigitte Bardot - "Je T'aime Moi Non Plus" b/c "Bonnie & Clyde" 45 rpm (Philips)

I think most of us have heard the Brigitte Bardot/Gainsbourg recording of his "Je T'aime Moi Non Plus, but in actuality, I bet most of us only heard the Jane Birkin/Gainsbourg recording.  That officially came out in the late 1960s, but it took ten years for the Bardot version to be released on the French/world market.  According to legend, the then married (to someone else) Bardot was having an affair with Serge, and they recorded this rather literate song of eros.   Gainsbourg wrote the song for her, and it seems he was crushed when Bardot requested that he doesn't release the song, due to the husband's jealousy at the time.  

Both versions of the song are excellent, but I have to choose between the two, it will be the Bardot version.   For one,  Michel Colombier's arrangement is superb.  The strings are lush, romantic and feverish.  It's the most erotic part of the recording.  Bardot and Gainsbourg are very cool in their delivery of the song.  Birkin, on the other hand, does the heavy breathing, and the format is more organ/guitar orientated than the Bardot crazed orchestration.   Not to make a personal judgment between the two great female icons of the 20th century, but Bardot strikes me as a master of a cool sexuality that is smart and perhaps deadly.  Birkin is very much the girl next door - erotically fun and beautiful of course, but perhaps not fully aware of the world - or the seduction techniques of the Gainsbourg method.   Bardot is acutely conscious of the 'whole' game.  

But like all things that deal with Eros, it is very much part of the listeners take on such a magnificent song and recording.   If you have the chance, do compare the two versions, and come to your own conclusion.