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Showing posts with label Lounge Lizards. Show all posts
Showing posts with label Lounge Lizards. Show all posts

Wednesday, March 14, 2018

Haruomi Hosono - "Nokto De La Galaksia" Vinyl, LP, Album, Japan, 1985 (Non-Standard)


Haruomi Hosono is probably one of the great music figures to come out of Japan in the 20th-Century.  A big statement I know, but it's true.  It's hard to compare him and his music with someone from Europe or the United States.  He's all over the map music-wise, but the one thing that matters to me is his intelligence and his respect for world music - not only from 'out' there, but also equally fascinated with his own Japanese music roots as well.   His early albums remind me of someone like Ry Cooder, but then he can make a techno-pop album within months of the 'roots' album.  He's known for his work with Yellow Magic Orchestra (YMO), but I prefer his solo albums, which I have to admit is an endless entrance with no exit.   Once you're into this world there is no escape. 

"Nokto De La Galaksia" is Hosono's soundtrack to an anime film made in Japan.  It very much shows up Hosono's various skills - as an arranger, electronic artist, and a strong melodist. The album is instrumental and it flows in an ambient fashion, but it has textures that keep one aware of the music. As I listened to the music, I don't think of it as a soundtrack album, except there is a theme that is repeated throughout the album.  Still, this is a very strong work by Hosono, and those who have an interest in electronic pop or instrumental music, this album is a must-have.  Non-Standard is his label from the 1980s, which not only released his solo recordings at the time, but other Japanese artists as well - with exception Lounge Lizards from New York City, and Mikado a band from France, if not mistaken.  Also while having this label, he's the first to release a Pizzicato Five album. 

Friday, November 25, 2016

The Viscounts' "Harlem Nocturne" (Amy Records, recorded in 1960, released in 1965)


The Viscounts, from New Jersey, where they started in 1958, made this album "Harlem Nocturne" in 1960, and somehow it sounds like the father of the first Lounge Lizards' album and the first solo Andy Mackay (from Roxy Music).   The basic sound is a great beautiful melodic saxophone, echo electric guitar, electric organ, and of course drums.  They have two sounds on this album.  Upbeat rock n' roll, and then dreamy.  The slow and dramatic ballads like "Harlem Nocturne, "I Cover the Waterfront," "September Song," and the great theme song to the French gangster flick Le Grisbi" are soaked in blue mood, that reeks of stale smoke and strong whiskey.   



I mentioned the early Lounge Lizards, because there is something sophisticated about how they approach their material, as well as The Viscounts.  The creepy organ sneaks between the guitarist and sax player, and it sits there in a very solid fashion.   The John Lurie melodic sense is also here.  With respect to Andy Mackay, the sax player's method is very similar to the Roxy Music member.  The glistering guitar is consistently in dialogue with the sax, and it's an orchestration that serves the song.   "Harlem Nocturne" is an exciting discovery for me.  God knows what one will find at their local record store - in this case, Mono Records on Glendale Blvd.