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Showing posts with label Mario Bertoncini. Show all posts
Showing posts with label Mario Bertoncini. Show all posts

Friday, December 1, 2017

Gruppo Di Improvvisazione Nuova Consonanza - "Gruppo Di Improvvisazione Nuova Consonanza" Vinyl, LP, Album, Reissue, 2016/1966 (Schema)


Gruppo Di Improvvisazione Nuova Conssonanza is a group of Italian composers who got together to make improvised 'noise' music.  The most famous member of the band (orchestra) is Ennio Morricone, who plays Trumpet within this experimental group.  The others are composers, who border on the classical or are writing film track music.   Here, they can go wild, and wild do they go.

This is music that is not open-ended but contained in an aesthetic history that is a combination of Fluxus and music by John Cage.  Perhaps even traces of The Art of Noise (the other Italian Futurist sound movement) not the British 'pop' group.  Using conventional instruments, they make new sounds by altering the instruments or through electronic means.  What sounds like chaos is really master musicians working in a format that takes chances at a high point, yet never fall off the cliff.  At times ambient but more likely in one's face, this is essentially 20th-century music that changes the shape of the air around them.  I think of their music more sculptural than anything else.  

The album was released in 1966, and this is a reissue, that is in a limited edition of 500.  Pick it up before it goes bye-bye.  The other composers/musicians involved besides Morricone are Jerry Rosen, Frederic Rzewski, Franco Evangelisti, Roland Kayn, Mario Bertoncini, Ivan Vandor, and John Heineman.   The sound of 1966 that is the new sound

Saturday, May 20, 2017

The Group - "The Feed-Back" Vinyl LP, Album (with CD), Re-Issue, Re-mastered, 1970 (RCA, Schema ‎)


"The Group" is Gruppo di Improvvisazione Nuova Consonanza, who we know is a band that Ennio Morricone is associated with.  Totally experimental, and more John Cage-like than what we think of with respect to Morricone's more mainstream movie soundtrack work.  "The Feed-Back" is Gruppo di Improvvisazione with an incredible beat.  The one consistent instrument throughout the recording of this album are the drums.  It's very Can/Neu like, that it's a beat that doesn't give up. 

The music is free-form, but the drums keep everything grounded to a groove.  An adventuresome DJ can play this album in a nightclub, and I don't think there will be that many people leaving the dance floor.   There are only a handful of recordings by or with Morricone that has nothing to do with film scoring. So it's interesting avenue or opportunity for him to do what he wants to without the restrictions of a producer.  Which comes to mind, does a filmmaker dare tell him what to do?

To give full credit to the band, it consisted of Walter Branchi, Renzo Restuccia, Bruno Battisi D'Amario, Egisto Macchi, Mario Bertoncini, John Heineman, and of course, Morricone.