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Showing posts with label Munster Records. Show all posts
Showing posts with label Munster Records. Show all posts

Wednesday, November 15, 2017

Legendary Stardust Cowboy - "Launch Pad Favorites" 2 X Vinyl, LP, Compilation, 2016 (Munster Records)


Ziggy Stardust came out of Legendary Stardust Cowboy.  David Bowie discovered him in America when he first came to the country as a Mercury recording artist.  Going through the other artists on this label he found a 45 rpm single of "Paralyzed," probably one of the more unusual releases from a major U.S. label ever.  Perhaps two or three minutes of noise, that one would gather had roots in rockabilly music.  Bowie thought it was a work of genius, and clearly, he's a man who not only has taste but knows 'weird' like no other artist at that time. 

There is a school of art called Brut, or better known in English as 'outside artists.'  Legendary Stardust Cowboy, real name is Norman Carl Odam may be a cowboy from outer space.  Which makes him very outside artist.   There seem to be two interests in Odam's life - rockabilly music and space travel.  It's not unusual for 1950s musicians to be obsessed with outer space life, but Legendary Stardust Cowboy brings it to another level.   For instance, he's not really what we call a singer.  Yet, there is something about his voice, especially with the addition of his songwriting.   He's a great songwriter.   You have to go through the most shocking sound of his records, and really (REALLY) listen to his music, but there is nothing more beautiful out there than his "I Took A Trip (On A Gemini Spaceship)."  Probably the most romantic outer space song ever.  Up their with Bowie's "Space Oddity," which by hook or crook, Odam did a cover of that song.  Either as a tribute to Bowie's support or a genuine appreciation of Bowie's interest in outer space songs.  Bowie eventually did a cover of "I Took A Trip" on "Heathen."   If you hear the Bowie version and not look at the credits, you would think, "of course Bowie wrote this."   Perhaps Bowie was influenced not only by Odam's song, but his lyrical writing as well.  "The Rise and Fall of Ziggy Stardust" is a combination of Legendary Stardust Cowboy and Vince Taylor.  Two outside and perhaps 'insane' artists who went too far off the map.  Norman Carl Odam is  still here with us, and his remarkable work is represented so well in this compilatiion "Launch Pad Favorites."   

There is not a bad cut on this album.  The other classic songs beside "I Took A Trip" is "Radar" and "Linda."  Still, one can admire "I Hate CD's."   There are a few compilations of Legendary Stardust Cowboy's work, but this collection put together by Spain's Munster Records is superb.  Also nice packaging with a lyric sheet.   As mentioned, Odam is a very good and talented lyricist.  

Thursday, December 22, 2016

Johnny Thunders "Hurt Me" (10" vinyl album) Munster Records


Johnny Thunders all by himself.  Him and his guitar.  Recorded in 1983 and in the city of Paris.  Mostly acoustic guitar, with a touch of electric guitar here and there.  Ibe sure that there is an interesting tale about the making of this album, but alas, I don't know any.  Here he covers some New York Dolls songs "Lonely Planet Boy" and "Too Much Too Soon," as well as The Heartbreakers.  Also, a cover of my fave Stones song "I'd Rather Be With The Boys."  Very low-fi in sound and spirit, it's an interesting document of a superb and very much underrated songwriter.   Thunders is known for his love of narcotics and the look - but I think he is much better than all of that.  For one, his songs have a real heart.  He's the essence of a true rock n' roll mind.  Hearing him doing these songs - and most I do not even know off hand (by him), they're amazingly well-crafted, yet I suspect each one has ties to the pop history of the 20th century.   I can imagine him and David Johansen being Brill Building era writers, but alas, they missed the decade, yet they have honored it throughout their and Thunders (short) career.    An album for those who collect Dolls material, but more than that, it's a beautiful snapshot of Thunders spending that October and November 1983, in a studio, in a world of his own making.