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Showing posts with label The John Barry Seven. Show all posts
Showing posts with label The John Barry Seven. Show all posts

Saturday, September 16, 2017

Various Artists - "Jack Good's 'Oh Boy!'" Vinyl, LP, Album, UK, 1958/1978 (EMI)


The 'commercial' roots of British rock n' roll is all here on this album.  Jack Good, who is still alive at the age of 86, was a pioneer for rock n' roll TV.   His British show "Oh Boy!" was the first variety program devoted to British (pre) rock artists such as Cliff Richard and Billy Fury.  The show lasted for 30 minutes and it was packed with non-stop music.  No song lasted more than a minute, and it was like a variety show with an Amphetamine approach to its timing and management.  The other significant wrench is that Good allowed the audience to be part of the show, with the artists surrounding themselves with the audience, most if not all teenagers.  

"Jack Good's 'Oh Boy!" album is a live soundtrack to the show.  Listening to it now in 2017, it's a weird reminder of how rock was packaged almost 60 years ago.  Cliff Richard sings seven songs, but also includes the talents of the incredible John Barry Seven, way before his work on the James Bond films.  Other artists here are Vince Eager, Two Vernon Girls, and Neville Taylor & The Cutters.  The beauty and the essence of this recording are not really the music, but a snapshot view of British showbiz before the Beatles hit the scene.   Jack Good eventually made it over to America where he created the show "Shindig!" (1964-1966) which focused on the British Invasion at the time, as well as popular pop/rock acts.  

"Oh Boy!" is one of the first shows specifically made for the British teenage market.  It's interesting how the teenager became a vocal/social, and even more important, an economic model that fueled an industry.  The 'beat' cannot be ignored anymore!



Wednesday, June 28, 2017

Various - "The Best of James Bond" CD, Album, Compilation, 1992 (EMI)


There are great John Barry compilations out there that focus not only on his James Bond work but the music he wrote for other films and even TV commercials.  On the subject of Bond, this CD package is my favorite.  It's a double disc set, with CD 1 focusing on the major Bond themes throughout the years, and the reason I purchased this particular copy is that of CD 2. 

The second CD is songs that didn't make the grade or instrumental suites put together for the incidental music scenes in the Bond films.  For example, the one masterpiece here is Anthony Newley's version of "Goldfinger."  I'm going to get shot for writing this, but I prefer Newley's version than the great Shirley Bassey.   Minimal with a jazzy/British beat, Newley conveys the villain's world as if he was a member of the Kray gang.  Perhaps this is my favorite Newley moment of them all.  And he made some impressive sounds/visuals throughout his short (died way too young) career.  The other great song on this collection is Louis Armstrong's "We Have All The Time in the World."   A Hal David lyric with Barry melody and then adding the great and aging Armstrong vocal, it's a moving performance.  Also noted is Bassey's "Mr. Kiss Bang Bang."   Also are radio spots for "Dr. No" and "Thunderball."  This collection is perhaps the best thing out of the Cold War era.  

Saturday, September 21, 2013

Adam Faith - "Lonely Pup" / "Greenfinger" 45 rpm Vinyl




Adam Faith – Lonely Pup Greenfinger
45rpm vinyl single, UK, 1960
Parlophone

Dreadful Christmas single from the genius John Barry and Buddy Holly obsessed Adam Faith. But the B-side Greenfinger is amazing. Mostly due to John Barry's arrangement, which is hynotic with dark overtures. Faith does his best Holly vocal imitation, but of course it is not his voice that makes the record. This is totally the work of the arranger, and it overcomes the singer. Also I am very much attracted to the Parlophone record label design. The logo of the name is very cartoonish, and I tend to think about that than the music. Nevertheless for the Barry obsessive, this record is of course a must.


Friday, June 21, 2013

Adam Faith (and John Barry) - "Adam" CD Album, Mono & Stereo




Adam Faith – Adam
CD album, Mono & Stereo, 1960
EMI

When I hear this album I feel like I fell in a time-wrap but that specific time doesn't really exist. The main interest for me is that Adam is arranged and conducted by the great John Barry. Even if I sang on this album, it would be interesting! But to be fair to Adam Faith, he does have an intimate way of singing. But I get the impression that he came in after everything is recorded and he's just following directions on a sheet of paper. But actually hearing this album is a surreal experience, because it is two albums in one. As I mentioned the Barry arrangements are right in your face, and then the vocals seems to be an afterthought. But Faith is an interesting cat. He was in the business in all its positions. He was a teen star, actor, a manager and eventually an investment advisor – not a very good one. But he's a lad who made out OK.

So on the surface I don't like this album, but there is something that attracts me to the music. And it maybe due to my appreciation of British music history and people like John Barry. A dream world for me, and listening to this album puts me in world of not my making, but one that I can imagine. Even though Barry and Faith more likely won't recognize that world.