British Electric Foundation - "Music Of Quality & Distinction Volume 1"

British Electric Foundation - Music Of Quality & Distinction Volume 1

I-Tunes, British, 1981

Virgin

For a brief time in my world, Heaven 17 were a very important band.   For one I was totally caught up in their juxtaposition of politics and pure electro-pop music.  To me they were an updated version of folk-music from Greenwich Village New York, but with suits and keyboards strapped on.  Also I liked their concept that their parent company was or is called British Electric Foundation, that sort of issues the Heaven 17 brand.  At the time they were in theory sort of the more commercial version of Public Image LTD.    One of the projects from the British Electric Foundation was their Music Of Quality & Distinction series, and this being number 1.  

When I got this album, I was totally intrigued on numerous levels.  On one level, it is Heaven 17 with interesting cast of characters doing their favorite songs.  But knowing their political point of view, I also saw it as a political statement of some sort, which to this day is very vague.  Nevertheless this album recorded in 1981, features songs from the ’60’s to the early ’70’s.   The ’70’s work being David Bowie and Lou Reed songs.  So there is a glam aspect to the package, with Reed, Bowie, and having Gary Glitter (the king of  glam?) doing an Elvis cover.  

I get the feeling that B.E.F. chose their artists for this album for both musical reasons as well as a cultural iconic stance.  A statement of some sort.  Tina Turner’s recording of “Ball of Confusion” started her even bigger career in the ’80’s and also brought forward ’60’s icon Sandie Shaw as well to the soup that is this album.  The Shadows’ legendary guitar player Hank Marvin plays on “It’s Over,” the great Roy Orbison song, here sung by the equally fantastic Billy MacKenzie.  

The talents of Ian Craig Marsh and Martyn Ware (with their singer Glenn Gregory) made an interesting observation on music-past.  All the song selections are very much in-tuned to the world of Human League as well as Heaven 17 (of course).    A fascinating record of its time that still sounds good.

Brigitte Fontaine - "Prohibition"

Brigitte Fontaine - Prohibition

I-Tunes, France, 2009

Polydor

Older, and still beautiful.  “Prohibition” is Brigitte Fontaine going forward.  She strikes me as total ‘now’ person, and not someone who really looks back.  The album has the electronica sound with middle -eastern flourishes but it is still 100% Brigitte.  With Grace Jones as well!  

It’s funny but i never heard of her till my friend Howard request that I locate a specific CD for him, that was only released in France and Japan.  And since I was in Tokyo at the time, his request lead me to discover her music.  But one cannot really be exposed to her by one album, you have to suck up and get everything by her.  She is an unique artist, and gone through many changes over the years.  In that sense she is like Gainsbourg, who was always true to his identity, but changed musically with the times - and in most cases, not getting buried under the weight of change, but rolling with it.  Fontaine is superb, and “Prohibition” is a strong ‘pop’ album.  Pretty great considering she was around 70 years old during this recording. 

Brigitte Fontaine - "Comme a la Radio"

Brigitte Fontaine - Comme à la Radio

I-Tunes, France, 1971

Saravah

One of those great mood shifters, where France meets American avant-jazz that equals a French sensibility.  Magnificent percussion with the low sounds of a stand-up bass is a very seductive sound. Middle-eastern sounds creep into the framework, and Brigitte Fontaine is simply part of the landscape.  I often think of her as the French Grace Jones, due to her going into unknown territory with no fear.  The music is wonderful and The Art Ensemble of Chicago offers layers of sounds that suits Fontaine’s  voice perfectly.  Torch singing for the adventuress and those who lurk in the 3 AM night. 

Brigitte Fontaine - "Brigitte Fontaine Est...Folle"

Brigitte Fontaine - Brigitte Fontaine Est…Folle

I-Tunes, MP3, France

Saravah

The beautiful marriage between voice/thought with arrangement.  Brigitte Fontaine, along with the great arranger Jean-Claude Vannier made a 1968 classic, that is slowly crawling across to the English language world.  Vannier of course is greatly responsible for Gainsbourg’s Melody Nelson album, as well as countless others.  The beauty of his work is his playfulness and being true to the material on hand as well.  Its a balancing act that he never ever trips over that thin clear rope.  Fontaine, I think, is an artist who likes to work with others, and for her, that is her strength in that she doesn’t lose her identity or sense of purpose.   A classic piece of music making.

Brigitte Fontaine - "13 Chansons Décadentes et Fantasmagoriques" CD Album

Brigitte Fontaine - 13 Chansons Décadentes et Fantasmagoriques

CD, Album, France, 2002 (originally recorded 1966)

Disques Jacques Canetti

What planet is this woman from, and why am I not born on this same planet?   Brigitte Fontaine, is a force that goes forward and rarely looks back.  But for me who just discovered her maybe five years ago, I have a lot to catch up on.  So I believe this may be her first album.  Chansons Décadentes et Fantasmagoriques.  Fontaine, who I know very little of, with respect to her background, but I have a strong suspicion that she is the bohemian’s bo-ho.  A chanson singer by trade, but one who took that form into another world.  Her singing style is very theatrical with a tinge of contemporary feeling or soul.   What is interesting to me (among a lot of stuff regarding her) is that Jimmy Walter arranged this album, and also worked with Boris Vian.   And she also did an album of recordings of Vian’s music as well.  So that thread between Saint Germain des Prés culture is very much part of Fontaine’s world, yet different because it is being made for the May ’68 generation.  This is an artist who didn’t stand still. I want to belong to her cult.

Brigitte Bardot - "Show" CD

Brigitte Bardot - Show

CD, Album, France, 1999

Magic Records

Now this is the ultimate and great Bardot album.  I think the material on this CD is all based on her TV show she did in the late ’60’s  - in other words hardcore Gainsbourg period.  I’m not even sure if this was an official release by her or her record company.  The great retro garage rock Yé-Yé label Magic Records put this out, and it has a bootleg feel to the packaging, but nevertheless this is the Bardot to get. 

For one it has the classic electro-funk “Contact” written by Gainsbourg, and even though the recording is around, not many are aware of this Brigitte gem.   Another stunner is “Le Diable Est Anglais” both the English(“The Devil’s In Town”) and the French version.  The English version sounds sort of pissed off, and her accent is very strong which adds a certain amount of charm to the track.  But it is also has a touch of menace as well. It is one of my favorite all-time recordings.    “Le Soleil” is just a great lazy sounding track.  It pours sex that is so natural from Bardot.  When you get down to it she just has the ‘it’ quality that you have to be born with.  So yes, ignore the others, and get this one if you want to have  that special Bardot as pure sensual sound that will eat you up.

Brigitte Bardot - "La Madrague" CD, Compilation

Brigitte Bardot - La Madrague

CD, Compilation, France, 1991

Philips

One can criticize Brigitte Bardot, but it won’t be from me.  For one, she was the first movie star I have ever seen on a big screen.  I may have been in a movie theater before, but seeing Roger Vadim’s “A God Created Woman” was my first experience, and in a sense Bardot was my first woman, besides my Mom, in acknowledging a female presence in my life.  A lot of women are beautiful, but Bardot somehow went even beyond that.  

This collection of Bardot’s hits are a part of an interesting series that France Philips put together called ‘Actrices.’   A collection of releases by iconic actresses who happened to make music, and it looks like every major French female movie star made a recording of some sort.  Most of them were lucky enough to have the talents or arrangers Alain Goraguer, Andre Popp and the writing talents of Serge Gainsbourg.  Bardot had them all, well at least musically.  

Still, this is not a great collection, because they left out major Bardot recordings like “Contact” and avoided some of her more ‘odd’ recordings.  But all have the Bardot personality stamped on the grooves, and she doesn’t disappoint as a vocalist.  A limited vocalist yes, but her personality and sexuality comes through as if it was transparent paper.   Her work with Gainsbourg are noting but masterpieces.  Her version with Serge of the classic erotica Je T'Aime Moi Non Plus is a must and worth the price of this CD/Vinyl.  Much more lush than the Birkin version, this is one of the key songs by Serge, and Bardot adds an equal amount of sexuality on this record.  Essential.  Not an easy find anymore, but there are better Bardot collections out there, but still it does have Je T'Aime Moi Non Plus, the original version.