Twinkle - "Golden Lights" Vinyl, LP, Compilation, 1996, UK (RPM Records)

Twinkle is the ultimate 1960s British teenager, who is also a songwriter and pop singer.  Born wealthy, and had a sister who wrote for the British music fan magazines of that time, knew and went out with a lot of rock n' roll people.  Never released an album, but a series of 45 rpm singles, Twinkle's music is remarkable.  An excellent lyricist, one of her great songs is "Golden Lights," which is a fantastic groupie-like view of a loved one whose name is in the neon lights of a theater. It's visual power, and beautiful melody is pop-divine. 

"Terry" is about a boy who dies on a motorcycle.  It is just as great as any The Shangri-Las' recording, and the difference is that it's quiet in a British manner compared to the Shadow Morton world of East Coast cinematic sounds. There is even a version of Serge Gainsbourg/France Gall's "A Lonely Singing Doll."  This 17-song compilation doesn't have a weak link. 

If a comparison is to be made, I think of Gillian Hills, who also wrote her songs, as well as being an iconic figure both in the UK as well as in France.  A remarkable collection of pop music.  

Gillian Hills "Vue Intégrale (Twistin' The Rock Vol. 9) 2 x CD, Compilation, 2002 (Barclay)

Gillian Hills is a British actress who lived in France to become a singer with a fascinating Father and Mother.   Father is Denis Hills, an adventurer, writer, and traveler, who wrote about Idi Amin in Uganda, who was sentenced to death for espionage in that country.  The intervention of the Queen allowed him to safety and back to the UK.  Her mother is Dunia Leśmianowna, the daughter of Polish Poet Bolesław Lésmian.  Gillian, at 14, was discovered by Roger Vadim, who put her in the film "Les liaisons dangereuses."  At 15, she starred in the British film "Beat Girl," with the first soundtrack by the great John Barry.  It was at this time she went back to France and made a series of recordings with artist Henri Salvador, and was one of the few Yé Yé singers to write her material.   After recording the French sides,  she eventually came back to London to be in the films "Blow Up" by Michelangelo Antonioni and Stanley Kubrick's "A Clockwork Orange."  After that, she moved to New York to focus on a career as a book and magazine illustrator.  Whew!



"Vue "Intégrale" is a collection of her recordings she did in France for the label Barclay, and it's pretty remarkable in its sophistication in the Yé-Yé pop song market.   The fact that she co-wrote or wrote these songs are pretty amazing in itself.  Oddly enough, she is unknown, except for those who are obsessed with French pop from the 1960s, and of course her film appearances in such cult classics.  I think it's more than Hill being in the right place and time; she truly had the stars above her lead her to interesting aspects of the French and British entertainment world.   Beautiful as Bardot, Hills expressed an urgency and restlessness in her approach to the recording arts as well as film.  A remarkable talent at an exceptional time in cultural history.  It's time to rediscover her work.