It's hard to separate the image of Johnny Thunders, the very model of him, and his music. When I listen to a Thunders recording, whatever it's a Heartbreakers or New York Dolls, the image of the Junkie is very well defined in our world. Which is a shame, because it hides the fact that Thunders is an outstanding songwriter. One should never bury their vices, but when it becomes the only subject matter when it comes to Johnny Thunders, you're losing the full motion picture and sound.
"So Alone" is the first 'solo' album from Thunders, and he's backed from Steve Jones and Paul Cook from the Sex Pistols, and more interestingly Peter Perrett and Mike Kellie from the band The Only Ones. Another semi-tragic songwriter of sorts, Perrett is a perfect mirror image of the Thunders angst and pleasure. The root of Thunders is, of course, The New York Dolls, which is a band that is about the history of rock n' roll, Rhythm n' blues, and various girl groups from the 1960s. And of course a touch of The Kinks circa 1964/1965. Thunders don't move from this core on his solo recording, because this is the music that he breaths in and out throughout his life. "So Alone" is a fantastic album, because, at the time, it cuts all of his interest on one disc.
The album is co-produced by Steve Lillywhite, who worked with a lot of great British artists in the post-rock years of the late 1970s such as Peter Gabriel, XTC, early Ultravox, Siouxsie & the Banshees, and of course U2. Lillywhite captures the Thunders magic, by not doing anything slick or mechanical and frames the Johnny aesthetic as if it was a retrospective than just an album. The music covers NY Dolls, Heartbreakers, and choice covers to give a portrait of Johnny, at his most muscular stance to honoring not only his songwriting but the aesthetic that goes with his territory. The first two New York Dolls, and the early Heartbreakers, and then "So Alone" is an excellent package to get. A vital artist who stated not only the image of rock n' roll but also the poetic almost dandified stance that goes with that (Thunders') world.
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