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Showing posts with label 1960s American Pop Music. Show all posts
Showing posts with label 1960s American Pop Music. Show all posts

Tuesday, May 7, 2019

Lesley Gore - "I'll Cry If I Want To" Vinyl, LP, Album, Mono, 1963 (Mercury)


Lesley Gore is a unique artist in her time and place.  For one, she had a clear plan artistically, and she thought (or her producer Quincy Jones) of the album as a mood piece, or carry a theme.  Here on this album is the subject matter of tears.  A teenager's tears are the most bittersweet of them all. She is billed on the album cover as "The amazing 17-year-old," and clearly, this is the case. 

There is a defiance in Gore's approach to pop that she has the right to feel blue or to express her feelings fully.  There is an intelligence at work here, and I don't think it was manufactured by her manager, record producer or even adults in the room.  The power of her vocal delivery and the choices of songs on this album makes it a fantastic work.  "It's My Party" is a teenager's lament of existence, yet, her tone is strong that she will not accept this insult any longer.  On the other hand, she is a teenager, and Gore knows that's her natural state of mind and body.   The articulation of her stance is genius-like, in that she even made an answer song or a continuation of the "It's My Party" narration to "Judy's Turn To Cry."  

Claus Ogerman's arrangements are sophisticated, yet in tuned to the teenage market at the time. The whole package is one of intelligence, passion, vision, and Gore's ability to express the everyday angst of a teenager facing a harsh world.  Lesley I feel is very underrated talent. 

Thursday, November 29, 2018

The Mandrake Memorial -"The Mandrake Memorial" Vinyl, LP, Album, Stereo, 1968 (Poppy)


For the past month or so, I have been reading the publication "Flashback" which comes out of the UK, and it's a magazine totally devoted to bands that fell through the cracks in the years 1968 through 1975.  Total music nerd material, and in one of the issues there is a 30-page article on a group called The Mandrake Memorial.   Failure has always been an attraction to me, especially when it comes to artists/bands that almost make it, yet fail.   I found a copy of their first album "The Mandrake Memorial" online and purchased it.  A gem of an album.

The music reminds me of Jack Bruce's work in Cream, with the vocals, but with the added touch of The Doors here and there.  A sitar comes in once in awhile in the mix, and of course, the album yells out 'it's 1968.'  One of the unique sounds that come out of The Mandrake Memorial is their keyboards.  Ofen a harpsichord, but their keyboardist, Michael Kac, was in electronics, and re-wired the instruments, in a manner of Brian Eno.  Their harpsichord sound is loud and aggressive, not played in a 'baroque' manner at all.  

The album is co-produced by Tony Bongiovi, and I gather this is his first production on an album.  He later produced Talking Heads and The Ramones.   The composition of all ten songs are by the band, and they have a dreamy approach, but the lyrics are very much of that era.  Still, I really like this record. 



Monday, July 24, 2017

Elvis Presley - "The Other Sides: Worldwide Gold Award Hits - Vol 2" 4 x Vinyl, Compilation, Mono, 1971 (RCA)


Since I own and play Elvis Worldwide Gold Award Hits Volume 1, I clearly need to have the four disk box set of Elvis' B-sides as well.  My theory is that the A-side is the conscious side of the music, but the B-sides express the inner workings of an artist.  Both sets are in Mono, which is a must for me regarding songs in the 1950s and 1960s.  There are famous Elvis cuts here, such as "(Marie's the Name) His Latest Flame" (wasn't this an A-side) and (You're So Square) Baby I Don't Care" but it's the songs I don't know that's the fun treasure hunt here. Oddly enough I don't think there is such a thing as a bad Elvis record.   Of course, there are the masterpieces, and then there are the 'others,' but in truth, he never gave a bad performance in a recording.   As mentioned playing the entire 4 album set is a trip to the artist's subconscious. There is always that feeling of regret that Elvis should have worked with David Bowie, or other producers and arrangers.  Alas, that obviously didn't happen.  Still, this is a very impressive collection of music.  Another highlight of the packaging is the inner sleeves show all the Elvis releases on RCA at the time of 1971, the release of this box set. 



Thursday, June 29, 2017

Elvis Presley - "Wordwide 50 Gold Award Hits, Vol 1" 4 x Vinyl, LP, Mono, Compilation, 1975 (RCA)


Mr. Presley is a large subject matter.  It's hard to wrap one's head around this (once) young man's recordings as well as his stature in the 20th-century.   In many ways, he is the 20th century in all its glory and horror.   In my collection, I have some 45 rpm singles, and also the Sun Recordings, and then there is this:  "Worldwide 50 Gold Award Hits Vol. 1."   And in Mono!

For me and my ears, one really has to work at locating the Elvis gems from the pile of RCA recordings.  In other words, he recorded a lot of crap.  But with him, even his crap is better than someone else's shit.  A brilliant vocalist who can work poop into something listenable.  But then again when he has a great song, and his voice/presence is wrapped around it  - nothing can be better.  His instinct is a well-tuned radar.  

When Elvis works with songwriters like Doc Pomus/Mort Shuman (my faves), Jerry Leiber/Mike Stoller, and Otis Blackwell, he can't do no wrong.  Brilliant songwriting meets the voice equals masterpieces.  I'm a fan of Elvis' recordings such as "Surrender," "Return to Sender," "You're The Devil in Disguise," "Little Sister" and even the hyper Italian pop of "It's Now or Never.'  Operatic to blues is a huge landscape, and Elvis easily can jump from one spectrum to the other. 

Right now, this is not a hard collection to find on vinyl, and not that expensive. It's big in scope and deserves a spot in one's home/listening area.  The great thing about Elvis is that he's a springboard to investigate and enjoy contemporary music.  With respect to the songwriters and the different mediums such as Country n' Western, Blues, Rock, Pop, show tunes, etc. - Presley is a magnet for further and very enjoyable studies in American culture.