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Showing posts with label MGM. Show all posts
Showing posts with label MGM. Show all posts

Thursday, November 29, 2018

The Mandrake Memorial -"The Mandrake Memorial" Vinyl, LP, Album, Stereo, 1968 (Poppy)


For the past month or so, I have been reading the publication "Flashback" which comes out of the UK, and it's a magazine totally devoted to bands that fell through the cracks in the years 1968 through 1975.  Total music nerd material, and in one of the issues there is a 30-page article on a group called The Mandrake Memorial.   Failure has always been an attraction to me, especially when it comes to artists/bands that almost make it, yet fail.   I found a copy of their first album "The Mandrake Memorial" online and purchased it.  A gem of an album.

The music reminds me of Jack Bruce's work in Cream, with the vocals, but with the added touch of The Doors here and there.  A sitar comes in once in awhile in the mix, and of course, the album yells out 'it's 1968.'  One of the unique sounds that come out of The Mandrake Memorial is their keyboards.  Ofen a harpsichord, but their keyboardist, Michael Kac, was in electronics, and re-wired the instruments, in a manner of Brian Eno.  Their harpsichord sound is loud and aggressive, not played in a 'baroque' manner at all.  

The album is co-produced by Tony Bongiovi, and I gather this is his first production on an album.  He later produced Talking Heads and The Ramones.   The composition of all ten songs are by the band, and they have a dreamy approach, but the lyrics are very much of that era.  Still, I really like this record. 



Saturday, November 11, 2017

Barry Ryan - "Eloise" b/w "Love I Almost Found You" Vinyl, 7" Single, 1968 (MGM)


At the length of 5 minutes and 26 seconds, this is not your average 45 rpm single, but more of a statement of purpose.  There is the wall of sound, but the arrangement and direction by Johnny Arthey are similar to containing a typhoon in a recording studio.  "Eloise" is a song/recording that will not be forgotten once heard.  On one level it's about a loss of a girl named "Eloise," but the song is more about naked emotional feelings, and this is the landscape where excellent pop music is made.  

In 1967 there was a partnership made from the very beginning.  England's Paul and Barry Ryan were identical twin brothers, and both had the strong vocal talent of such artists like Tom Jones.  Paul became the songwriter of the duo, and eventually, he got burned out being on stage, touring, and made a new arrangement that he will be the songwriter, and Barry will be the solo singer.   Out of this partnership came "Eloise."  

Without a doubt one of the great 45 rpm single release from the 1960s.  This is a record that was going to be tremendous or fails miserably.   I recommend playing this at full volume and surrender to its big sound that is one huge sonic aural organism.   The b-side "Love, I Almost Found You" is almost as wonderful as the A-side. 

Wednesday, April 19, 2017

Andy Starr - "Rockin' Rolllin' Stone" 2 x Vinyl, 7", 45 RPM, EP, Limited Edition (Sundazed/MGM)


Rockabilly music is for sure, falling into the rabbit hole and struggling to get up for some air.  It's a potential minefield of great recordings lost to history.  I have never heard of Andy Starr, until one day at Rockaway record shop, I decided to pick up this disc due to its cover.  I'm glad I did because it's an excellent record.

I imagine at one time there were thousands of Andy Starrs' out there, making records and then having those recordings disappear into the mist of time.   Luckily, this has recently been released as a double 45 single set,  and it's hardcore rockabilly that reminds me of the essence of someone like Jack Scott.   The band on these recordings are excellent - and very much the standard set-up of stand-up bass, electric guitar, and acoustic guitar.  The backup vocalists are also superb, which again, reminds me of Scott's arrangements and recordings.  Nevertheless,  Starr is not unique, but clearly wonderful. 

The four songs here pretty much captures the Starr universe.  I don't think there are any more recordings by Starr in commercial existence, but what we have here is four exceptional performances with great vocals and band, doing their best to burn down the studio and elsewhere beyond its walls.   Great rockabilly music.  





Friday, November 29, 2013

Andy Starr - "Rockin' Rollin' Stone" 2 x Vinyl 45 RPM EP (Record Store Day)



Andy Starr - Rockin’ Rollin’ Stone
2 x Vinyl, 45 RPM, EP, Limited Edition, Gatefold, U.S. 2013
Sundazed Music


“Hey R-rrr-oo-c-k, R-rrr-oo-c-k” pretty much says it for this limited edition double  45 rpm vinyl set.  Andy Starr is an artist I know noting about, nor have I ever heard of him till I looked up the Sundazed website to see what they were offering  today on Black Friday Record Store day.   Once I saw the cover, I rolled down to Rockaway Records to pick a copy up.   It’s a fantastic set.

“I Wanna Go South” is the key cut for me, because it really builds, builds to a slow burning intensity.  There is something nasty in these tracks and I mean nasty in the right way.  The rhythm is a slow train heading towards the South, where our singer will eventually start his own church and it seemed he made a few X-Rated comedy records as well (according to the liner notes). 


Starr is the real deal.  It is odd of a man such wonderful talent comes to only two EP’s and eight songs in all.  But perhaps that is all needed to light up the world.  The two EP’s were recorded in different times from each other.  The first one is just voice, one guitar, stand-up bass, and drums.  The second disk has back-up vocals, and if you compare the two, the second disk is Elvis at RCA, and the first one is Sun.  Nevertheless it was a mood that made me buy this record, and it shows one needs to be in tuned with one’s mood.  It never fails man.