V.A. - "A New Sound From The Japanese Bach Scene" Vinyl, LP, Album, 1969 (RCA)

Exotica? As one approaches this album, one would think that's the destination.  But alas, it's more in the tradition of the jazz Bach hybrid recordings by The Swingle Singers and French Jazz pianist Jacques Loussier.  It's Bach most excellent melodies but arranged for two Kotos and a Shakuhachi, plus a stand-up bass, drums and jazz guitar. Norio Maeda arranges the album, and it's very much in the mood of the classic Jazz/Classical overtures of the 1950s. But there is nothing kitsch about the arrangements or the music on this album.

I have this fascination with arrangments of music, that I know, but presented in a new light. When you hear this one doesn't think 'ah, the Japanese take on Western music.'  More of a playful approach that is very organic and presented in a very straight forward manner. There are even some bosa-nova beats here and there — a cool album.

Pablo Cassals -"Pablo Casals Conducts Bach: The Six Brandenburg Concertos; Orchestral Suites Nos. 2 and 3" 3 x Vinyl, LP, Album, 1965 (Columbia)

When I listen to this box set of Pablo Casals' recordings of the Six Brandenburg Concertos; Orchestral Suites Nos. 2 & 3, I think not of pictures, but shapes.  Bach's music is very circular, and one can enter and exit from that circle.  What I hear is not passion but an obsession of mathematical systems and the organized culture that is an orchestra or string section.  A perfect balance between the musicians and the give and take at a particular point in the music.

It's shocking to hear someone breathing or even singing along (Glenn Gould style) with the piano.  It's the series of moments where the human essence is felt and not the concept. This is the beauty of Bach's music performed.  It's a chemistry formula that has been tested through the ages and played well.   The other thing that comes to mind is that Bach's music is truly timeless. As I listen, I don't think of a specific age.  To me, it could have been written in the 21st century.   The precision of the idea and the practice of that craft makes Bach an essential experience.

Glenn Gould - Bach/ "The Art of the Fugue, Volume 1 (First Half)" Vinyl, LP, Remastered 2015 (Vinyl Passion Classical)

Originally recorded in 1962, this album by Glenn Gould performing and recording Bach's "The Art of the Fugue" on the organ is a sound that pretty much have been in my life for the past 50 or so years.  My parents used to play this album at a very high volume.  As far as I know this is the only recording with Gould playing the organ.    These compositional pieces of music were Bach's exploration in monothematic instrumental works.  Never written for any particular instrument, it is many ways Bach's thinking out a problem from a notebook.  Gould I suspect was a musician who tackled music as an ongoing concern than a finished work of art.  The process or the journey is very much of great importance to Gould, and it is intelligence as well as his skills on the keyboard that makes him such a fantastic artist. 

The description above sounds cold, but the truth is, I often hum this melody in the bathtub.  The ultimate riff builds on other riffs.   It's like building a sand castle, and there is a wave coming in any second to tear down your structure.  Trying to find the original mono Columbia Masterworks version is tough for me.   I want one because that was the version that we had as a child, and I'm trying to recapture my childhood through the medium of vinyl.  To recapture the past is a foolish activity because the memory is always the winner.  Even over physical objects such as a vinyl from one's past.  A European label, Vinyl Passion Classical, put this out in 2015 on vinyl.   Not sure if it's a high-end bootleg label or an official release.   The sound is great.  And there is something magnificent about this music on vinyl.   Gould has done so many superb recordings, but due to emotional reasons, this is my favorite Glenn Gould album. 

Procol Harum - "A Whiter Shade of Pale" Vinyl LP, Album, 1967, reissue 1973 (A&M Records)

"A Whiter Shade of Pale" is one of my favorite albums.  I bought the original album in 1967 but lost it through moving between locations.  It was about four years ago I found the American reissued edition at Rockaway Records.  Which in turn, makes me want to own the mono version that was first released in the U.K.   I have a faint memory of hearing the mono and loving it because the music seemed more forceful coming from one speaker or one direction.   At the end of the day, that is just otaku chat, because nothing changes the magnificence of the music made by Procol Harum. 

For one, they had a unique sound where you hear the soulful voice, but it juxtaposes with the classical orientation of the organ.  An odd and very magnificent arrangement, especially in their hit song "A Whiter Shade of Pale."   Keith Reid's lyrics are a throwback to Charles Baudelaire and the poetry of the 19th century.   Very reflective but with visuals and language that borders more on poetry than the great American songbook literature.  Gary Brooker, the singer and who wrote most of the music for the band, has a very standard 'good voice' for soul music.  So when he sings Reid's lyrics, it is almost he is distancing himself from the literature, which in turns make the listener to listen to the words.  The classic Bob Dylan had that technique as well.  The more abstract the words are, the more you listen, and in theory, the music /words hold up for repeated visits because each listen becomes something new.  Yet, the emotional punch stays the same.  Every time I hear "A Whiter Shade of Pale (the song) I feel a great emotional tug toward sadness that I don't fully understand.    Procol Harum's performance of the song is the best, but on the other hand, there is no bad version or cover of "A Whiter Shade of Pale."  The Willie Nelson version is superb as well. 

This is not an album with one hit song, and the others are just fillers.  It's a brilliant and beautiful record from track one to eleven.  The Bob Dylan piano/organ sound from "Blonde on Blonde" and "Highway 61 Revisited" is impressive, but Procol Harum's sound is more dense and textured, due to Matthew Fisher's classical/Bach overtures.   I loved this album when I was 13, and now at 62, it's still an important piece of work for me.  I still hear new things on this LP.  

Moondog - "Moondog" Vinyl LP, Album, white vinyl, reissue, 2017 (Columbia Masterworks)

A brilliant album that was recorded in 1969 and produced by James William Guercio, who also worked with Chicago and Blood Sweat & Tears.  Thank god I didn't know that till I read the credits after listening to the album.  Which is incredible by the way.  There is nothing slick and phony about the production.  It's there to support Moondog's vision.  So in other words, he is just another fan.  The big theme here is Moondog's music arranged for a full orchestra.   What an odd narrative this Moondog fellow is.  Street performer in Manhattan in the early 1950s till the 60s, and friends to Leonard Bernstein to Charlie Parker.   And oddly enough, a roommate to Philip Glass.  Clearly,  Moondog is an influence or inspiration for Glass. I can hear the Moondog arrangement in Glass's work.  

The album starts off giving me goose-bumps all over my body.  The percussion kicks off, and the string section makes these tight notes that are hypnotic and then the melody kicks in.  It's called "Theme, make" and that is a proper title to such a hopeful and powerful piece of entrancing music.  The thing about Moondog's music is that it's very much an enjoyable experience. There's no cynicism in his approach making music that inspires to, as well as being touched by beauty.    There are the Bach like layers of sound that builds on top of each other.  He's a riff master!  

Even though it's a full orchestration, it sounds like a funky band, and how he does that is amazing.  A lot of the arrangements here are horn orientated with full strings behind it, and then there's the percussion which is in front and out of the mix.  "Lament 1" which is a tune he wrote for Charlie Parker, is really something.  Two saxes - one alto and the other baritone answering to each other's call, with the strings kicking in behind them.  A great piece of music.  Moondog's birthday is coming up next May (as I write it's April 30) and if alive he would be 100 years old.  A remarkable composer and performer.   May his recordings never fade. 

Albert Schweitzer - "Bach Volume 5" Vinyl LP

Albert Schweitzer - Bach Volume 5

Vinyl, LP, U.S.

Columbia Masterworks

I’ve been searching for Bach organ music for awhile now.  Specifically Glenn Gould, but can’t find that  on vinyl yet, but I do have this Albert Schweitzer album.   The only thing I knew about Dr. Schweitzer was that he spent time in Africa and he wore a pyth helmet.  I had not the foggiest notion that he was a musician and played Bach on the organ.  Therefore when I found this album in the bargain bin at Amoeba it was a great find for me.  

The fact that this is Volume 5 and therefore must be four other volumes floating in some store’s $1 bins is an exciting thought for me.  But what about his playing or the music?  Well, he is a doctor and therefore must be good with his hands.  The music is played beautifully with that rich sound from the organ that has to be such a heightened experience to hear something like that live.  When he recorded this album is a mystery to me.  There are no dates on it and there is a very long liner notes, that he wrote, but it is all about the music not about the recording of the album.   The pieces played on the album are “Toccata and Fugue in D Minor,” “Prelude and Fugue in A Major,” “Prelude and Fugue in F Minor,” & “Prelude And Fugue in B Minor.”  It’s a beautiful recording, and I do wish there was some information about the actual album.  Perhaps he recorded it in the jungle with his pyth helmet on?