Bill
Evans Trio – Portrait
In Jazz
CD
Album, Reissue, Remastered
Original
Jazz Classics/Riverside Records
It
all seems so effortless, but Bill Evans is a man who controls the
heart of the song via his fingertips. On “Autumn Leaves” him and
his bass player Scott LaFaro and drummer Paul Motian play with the
melody as if it was a beach ball being thrown back and forth. Also
the song is so sad sounding but Evans plays sort of a speed jazz
version which tears into the melody and finds it playful.
There
is something very tense and nervy about his playing and the
arrangements. Thelonlous Monk is a musician that skirts around the
melody, like he's cutting it from a cloth, but Evans just jumps in
and tears it apart and sort of re-builds the song up again. What I
like about jazz in general is how a musician looks at the music as if
it was architecture. The artist is looking at the structure, and
re-arranges the music to suit their purpose.
Portrait
in Jazz is
very much the classic jazz album with the classic jazz trio set-up.
But beyond that it is quite remarkable to hear the musicians interact
on this album, because one would think its the piano, and the bass
and drums are supporting that instrument. But alas, I think each
instrument here is playing with not against or supporting the piano.
Powerful music.
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