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Showing posts with label DDDBM&T. Show all posts
Showing posts with label DDDBM&T. Show all posts

Sunday, February 25, 2018

Dave Dee, Dozy, Beaky, Mick & Tich : "Time To Take Off" Vinyl, LP, Album, U.S., 1968 (Imperial)


Dave Dee, Dozy, Beaky, Mick & Tich is the worst name for a band ever made.  Beyond that, I have a fondness for DDDBM&T.  As one can gather, if you read this blog on a regular basis, I have an odd collection of their recordings.  Why I collect them I can't possibly give you an answer.  The truth is I have an obsession with Joe Meeks' The Honeycombs, whose first album I adore to bits. All their songs on that album are written by Ken Howard and Alan Blaikley, who go by their name "Howard Blaikley."  The material they wrote for DDDBM&T is very different from The Honeycombs' songs.  For one, the scope of their subject matter is huge for DDDBM&T.

"Time To Take Off" is DDDBM&T's 1968 album, which means for a British pop band they had to get serious or make a statement of some sort on their album.  In other words, the sound on this album is huge and clearly advanced to another level, compared to their early works.  Of course, the early recordings are superior to anything on this album.  Still, they had two hit singles off this album, the wacky "The Legend Of Xanadu" and the bizarre "Zabadak."  The rest of the album is crap, but it's 1968 type of crap, and that makes this album listenable, even enjoyable in a bad taste manner.  Their version of "If I Were a Carpenter" written by Tim Hardin is probably the strangest version of that classic song yet.   It sounds out with respect to the rest of the songs on "Time To Take Off."   Also, note that this album in the U.K. is called "If No-One Sang."



Tuesday, June 27, 2017

Dave Dee, Dozy, Beaky, Mick & Tich - "Greatest Hits" Vinyl, LP, Compilation, 1967 (Fontana)


I could be wrong, but I suspect that Dave Dee, Dozy, Beaky, Mick & Tich (DDDBM&T) never actually had a hit in the United States.  For one, who can remember their full name?  Two, they made brilliant ultra-pop records.  So pop that it borders on the eccentric side of that category.  There are two reasons why I'm interested in DDDBM&T.  One, I first heard "Bend It" in conjunction with the great art duo Gilbert & George, where they did a dance to this recording.  I loved the song immediately.  And two, all their hit songs were written by Howard Blaikley, who were actually two songwriters, and wrote tunes for my beloved The Honeycombs. 

I don't think there is another band like DDDBM&T.  Their sound was unique in that it had traces of exotica but done in a hyper-British production that borders on over-production.  "Bend It" is just as powerful as The Who's "My Generation."  It's a rave-up type of tune, with the melody starting off slow, and then it gets faster and faster. Based on a Greek theme motif, it even has a bouzouki on the recording that gives it that cosmopolitan air.  DDDBM&T. had no fear of sounding corny.  In fact, no fear whatsoever.   

This "Greatest Hits" collection is made for American listeners, and it only has 10 songs on the album.  There are more hits and even intriguing b-sides in the U.K., but this is obviously a contractual release of some sort. I'm not sure if there was another official release in America of their music.  In a nutshell, there are better collections out there in the European countries and even (of course) in Japan. For the hardcore fan who must have it all, I direct you there.  Still, this is a delightful album for what it is.  Great tunes here like "Bend It," "You Make It Move," and my fave "Hands Off."   I now regret that I didn't purchase the Japanese CD releases that came out a few years ago.  What I have besides this album is stuff that I downloaded from various websites over the years.