France Gall - "1968" Vinyl, Album, Reissue, 1968/2020 (Third Man Records)

France Gall, a teenage singer, for whom Serge Gainsbourg wrote many of her hits. That is interesting, but France is also a great Jazz orientated singer singing French Pop. Beside Gainsbourg, her pop, Robert Gall, wrote a lot of her lyrics with various composers. On the surface, Gall sang for teenagers, but the songs were all written by men in their 30s. This is not an unusual occurrence in the world of French pop music. One of her principal arrangers is Alain Goraguer, a remarkable music figure as well. He worked with everyone from Boris Vian, to Gainsbourg and made a significant electronic soundtrack album "La Planète Sauvage." The other arranger on this album is the English composer and arranger David Whitaker. All of the above, including France Gall, contributed to "1968."

The album captures the year 1968 as if it was an early colored photograph. "1968" yells out the decade due to the exotic instrumentation as well as the balance of pure pop with something substantial. The interesting thing about following French pop music is one should not only pay attention to the headliner (the singer of course) but also equally important are the arrangers. Whitaker and Goraguer have a unique sound, and they truly put their mark on their recordings. "1968" is not only a great France Gall disc but also a crucial recording made by the French, with the help of an Englishman (Whitaker) in a highly inventive album. There are two Gainsbourg songs on the album as well. They are highly recommended. 

Maurice Lemaitre -Poémes et Musiques Lettristes et Hyperphonie"

Maurice Lemaitre - "Poémes et Musiques Lettristes et Hyperphonie"

This album is a limited edition release, and therefore an important purchase for one who wanders into the world of European Avant-Garde and dwell into it's charm and seduction. Maurice Lemaitre is by all means, a Letterist. Letterism was a movement that started in Paris in 1946 that co-piloted by the great Isidore Isou. Also involved was Gabriel Pomerand, Gil J Wolman, and, of course our artist here, Maurice Lemaitre. With a theory of 'Kladology, ' which is a branch of knowledge that is somewhere between the figurative and the abstract. Letterism is the little brother to DADA. It eventually rolled into the realm of The Situationists, but that's another narrative.

"Poémes et Musiques Lettristes et Hyperhphonie" is a compilation of recordings made by Lemaitre from the 1950s to 1968. Every track is vocal orientated. Yet there are mixtures of sounds. For instance, Lemaitre uses French rock n' roll instrumentals as a background to his vocal gymnastics - and without a doubt, Lemaitre can project his voice across the room. When you look at the Discogs site for this album, it mentions the genre is "Non-Music." I do not share that insight, because these recordings are very musical, but maybe not in the way that one has experienced music.

Most if not all of the pieces here are in French, but some are clearly just sound works. I may be missing out some important aspect of the work not knowing Frnech, but on the other hand, the performances take the listener to a new landscape, and I like the new territory! This is a superb album on so many levels. As a document of Avant-Garde Paris in its early days of post-war, as well as a dynamic listening experience. It's all exceptional. For those who want to focus on the roots of The Situationists (Guy Debord world) and those who want jump into the eros/politics/drunkness of that period in the St Germain des Prés world - this is simply a must to have.