Philip Glass - "Mishima" Vinyl, LP, OST, 1985 (Nonesuch)

One can argue that there are better Philip Glass albums out there, but I'm very fond of his soundtrack to the film "Mishima" directed by Paul Schrader. I think "Einstein on the Beach" is one of the great pieces in classical 20th-century music, but Glass can do different types of music. "Mishima" is full of beautiful melodies, and the way he builds up the tempo as if adding one pick-up stick on to another, you're waiting for it to collapse. Alas, that doesn't happen. 

The film itself is one of my favorites as well. Ever since I was a teenager, I had a fascination with Yukio Mishima, not only for his writing but for his crazed life as well. On the surface, his whole lifestyle devoted to a mixture of literature, politics, gay life, and his need to be a performer — one thing for sure he didn't hold anything back. The film captures his character, but it is also the best work on a writer creating his (or her) world. Most movies about writers are dull. Still, Mishima is unique because, due to family overtures, Schrader had to rely on Mishima's writings, and that made this film a stronger piece of art.  The Glass compositions add a sense of melancholy as well as grandness. There is even a surf guitar part in the score that is a mystery to me — one of the unusual aspects in a Glass composition ever. There are classic OST albums that stay with me beyond the film. "A Clockwork Orange, "8 1/2," and "Mishima" is right up there with my other faves. 

Philip Glass - "Mishima" CD, Album, 1985 (Nonsuch)

Now, this is a very nice cocktail.  The subject matter of Yukio Mishima, filmmaker Paul Schrader, and music by Philip Glass all in one package.  Well, the music is here.  This is one of my favorite soundtrack albums, because it serves the purpose of the narrative and images of the film, and stands on its own as an album.   Also, I have heard the melodies on this album on other works by Glass, so I suspect that this is music that he comes back to time-to-time.  

Consistently beautiful, but the dynamic is a subject that is very Japanese (Eastern) made by an American filmmaker and sounds by an American composer.  They didn't exotic it up.  As someone who writes, "Mishima" the film is one of the great movies of a writer's  life.  Usually, cinema fails in the writer biography due that we get scenes of the author behind the typewriter and sweating and drinking in despair.  Due to restrictions made by Mishima's wife, she didn't allow any mention of his homosexuality, his politics, and his suicide.   Which all Mishima fans know those three subject matters are what makes Yukio Mishima a fascinating figure and artist.   At times, he was a performance artist as well as a prose writer. Mishima did make films, both as a filmmaker and an actor.  He was the king of media when alive.   Schrader did a fantastic thing.  Instead of shooting the author's life, he had to go somewhere he wasn't restricted, and that is his books.  Schrader had the film rights so he could mine the material on Mishima through his writing.  This can be dangerous ground, but Schrader picked and chose the right pieces to tell the Mishima narrative.   

The exquisite music is delicate as well as coming like a powerful wave to the listener.   On one cut it sounds like a surf melody with an electric guitar.   So, there are surprises here and there.  A masterful soundtrack for an excellent film on a remarkable writer.