"The Affectionate Punch" is the first Associates' album, and it's a classic introduction to the amazing talents of Alan Rankine and the amazing vocals by Billy MacKenzie. At this stage of their career, MacKenzie's singing style reminds one of Bowie's classic croon, with Russell Mael's ability to define and pronounce words in a speedy manner. Which sounds like MacKenzie is imitating them, but in fact, it's an influence and one that MacKenzie uses for his own unique purposes. The Associates will remind you of other artists, but in truth, they are very original. Rankine pretty much plays all instruments on this album, except for drums. It's very electric guitar (with effects) and bass with drums. Then on the top, you have the Billy voice which of course, is a wonder.
Lyrically some of the songs are vague and fragmented, in that one would think another influence on this album would be Iggy Pop's "The Idiot," as well as Bowie's "Low." There is a mechanical feel for the beat, as one works in a factory environment. It's hard, but then you have the soulful voice of MacKenzie relating to an emotional response that is taking place outside of the song. Morrissey as a young man must have had this album. Lyrically there are Morrissey touches, but of course, this album was recorded in 1980. Not that Morrissey is imitating MacKenzie, but I feel he was an influence on his outlook, coolness, and intelligence that was felt much later in The Smiths.
Rankine and MacKenzie made two other albums that are essential listening experience, especially on the post-punk landscape. As this is their first album, the songs are well-defined, but happily, their experimental stage is still to come. Meanwhile marvel at the beautiful melodies of "Paper House," and "Even Dogs In The Wild" (an animal that MacKenzie was devoted to). These are guys locked in their own world and making brilliant music.
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